The Angel of History
Following the critical and commercial success of An Unnecessary Woman, Alameddine delivers a spectacular portrait of a man and an era of profound political and social upheaval.
“In this provocative portrait of a man in crisis, masterful storyteller Alameddine takes on some of the most wrenching conflicts of the day.” —Booklist (starred review)
An Unnecessary Woman
Rabih Alameddine follows his bestseller, The Hakawati, with a heartrending novel that celebrates the singular life of an obsessive introvert, revealing Beirut’s beauties and horrors along the way.
In 2003, Osama al-Kharrat returns to Beirut after many years in America to stand vigil at his father’s deathbed. The city is a shell of the Beirut Osama remembers, but he and his friends and family take solace in the things that have always sustained them: gossip, laughter, and, above all, stories.
I, The Divine
Named by her grandfather after the "divine" Sarah Bernhardt, red-haired Sarah Nour El-Din is feisty, rebellious, individualistic - a person determined to make of her life a work of art. In I, the Divine, she tries to tell her story, sometimes casting it as a memoir, sometimes a novel, full of sly humor and dark realism, always beguilingly incomplete.
Following the publication of his critically acclaimed first novel, Koolaids, Rabih Alameddine offers a collection of stories that explores the experience of a number of Lebanese characters - men and women, gay and straight--whose lives have been blown apart by a disastrous civil war and the resulting international diaspora. Daring in style as well as content, these tales explore the relationships that anchor our hearts to the world -- father and son, grandson and grandmother, pedophile and 12-year-old boy, young man and woman of the streets, sister and sister, daughter and father, gay man and heterosexual, the quick and their dead.
An extraordinary literary debut, this book is about the AIDS epidemic, the civil war in Beirut, death, sex, and the meaning of life. Daring in form as well as content, Koolaids turns the traditional novel inside out and hangs it on the clothesline to air.